Jonas Wood’s paintings and works on paper display overlapping textures and disorienting compressions of space; the intimate settings invoke the work of forebears such as Matisse and Hockney, yet his distorted verdant rooms possess an affectless cut-out appearance all his own. In drawings, collages, watercolors, and paintings, outlines of pots and vases frame landscape and interior imagery. Drawn and painted vessels set against neutral backgrounds contain a sprawling green golf course; a coral reef with exotic fish; a lush garden; a painter’s studio, all scenes that end abruptly at the parameters of the object.
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